The Right Word


Mark Twain

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”

Mark Twain

Friday, March 13, 2015

Robert Frost: The Premier Poet of the 20th Century

Watercolor Painting of Robert Frost's farm in Derry, New Hampshire
Probably the most notable American poet of the 20th century is Robert Frost. He had such a large impact on American art and language that public buildings such as libraries and schools bear his name today. The middle school I attended in my youth was named Robert Frost Middle School. I payed no mind to him in those days, his was just another institutional name to me. In 1988 I read an excerpt of a poem of his in a book called "An Incomplete Education" by Judy Jones and William Wilson, which was written for people like me who had no liberal arts university education but had come to a point in life where I recognized that I was basically educationally bankrupt. The book was written in the style of a cook book with snapshots of important people and events that had taken place over the past three or four thousand years written about like recipes highlighting the most important features of the subject. Of course Frost was included in the book and this was my first acquaintance with his work.
Here is the excerpt of the poem I read:

Young Robert Frost
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
 
 
When I read those last four lines I stopped dead...I had known the exact emotional
response that Frost was speaking about but I had never thought of the words to 
express it, neither had I ever heard anyone express this thought and emotion before. With a hand full of words he captured an emotion that was buried deep inside me but had never had the language to dig it out, to bring it to the surface and to confront it.  That day I was hooked. I spent the next weeks looking for and buying every book I could find by or about Robert Frost. After about 6 months of reading I had been schooled in philosophy sociology, psychology, aesthetics, art, literature, religion and language through his poems, letters, and biographies.

If you've never had the experience of reading highly-charged compressed language before, I strongly encourage you to read some. Here are a few poets that are very gifted in this art:
Sharon Olds   Gwendolyn Brooks
Sylvia Plath   Dylan Thomas
Philip Roth     Randall Jarrell
James Dickey  Robinson Jeffers
Donald Hall    E.A. Robinson
Robert Hass    Maxine Kumin
Stanley Kunitz  Philip Levine



 
 
 
 
 

2 comments:

  1. I love that words can conjure up such moving images and emotions as this from RFrost... and to wield them well - is a feat worthy of time and energy to master them. I never knew this poem was what hooked you. What a great story! In high school I was put off by poetry as it was too 'out there' for me to enjoy or grasp, I think I was easily bored... but now, I find that I am very much intrigued by how in such short phrases SO much can be conveyed, truly masterful...because it's easy to do so with unending space and word count, but to convey such richness in 6 words or less per sentence -wow! I am going to look up these poets, it's something I haven't studied much of and want to to help me in my own writing. Thanks for sharing! xxJ9

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  2. Yes....so true. That is the real art and craft of poetry. One poet described it as the "force of few words." The idea is basically to use words that will create images and and activate senses that will lead to discoveries in human experience that we don't ordinarily have or notice because we tramp through life always looking into the future, or they're just hidden from us in plain sight. I remember one poet said that there was an image that he thought was perfect to describe the kind of romantic longing for something that always seems to be beyond one's reach and keeps us looking everywhere but where we are. He said it was the picture of a man on a sailing ship looking out over the waves at another ship that was on the horizon and feeling that was where he wanted to be. If he could only be there. The English romantic poets really got into the art of using words to describe and define romanticism itself. I had a whole semester class on English romanticism, and it was probably one of the best courses I took in the 5 years of college. Very interesting. But I digress. I would start with poets like Sharon Olds, Elizabeth Bishop, Toni Cade Bambara, Louise Gluck, Robert Frost, Donald Hall, Maxine Kumin.

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